But at the same time, he's the a father figure to Logan. He is 90 year old, suffers from dementia, and has a dirty mouth. In this movie, he isn't the same Professor X who know and love. Patrick Stewart delivers his last and most heartfelt performance as Charles Xavier. Jackman will forever be Wolverine and nothing will top that. The raw emotion he brought to his scenes without any sloppy music under neath it, is achievement. I know this may sound far-fetch, but I would go as far to say that Jackman deserves some award buzz for this. Before the end of an era, he learns the meaning of family and being a hero for others. Despite happening around him, Logan's true enemy is himself. It's the humanity and the depression of the character we never truly seen. Hugh Jackman has portrayed Wolverine for over seventeen years and this is by far his most powerful performance. Yeah, it really goes for it and that ain't a bad thing. Well take that scene and imagine actually seeing him tearing through people.
#Rex reed best movies 2017 full
Remember in "X-men: Apocalypse" when Wolverine goes on a full rampage and violently kills all the guards, but most of it was off-screen, even through you can clearly see blood on the walls. Much darker and gruesome than I expected. Something the previous movies couldn't do. But I think it's the unexpected powerhouse that got me in many ways. A bold and risky film that wouldn't have been made years ago in the hands of FOX.
#Rex reed best movies 2017 movie
A surprising character driven movie with real consequences. A sad but satisfying farewell to are fan favorite. "Logan" is one of the best non superhero movies I've seen in awhile. While the villains themselves aren't anything I would call "great", but they did felt like a real threat and wasn't too cliché to the story. No one is safe and the stakes are higher than before. Heck, I wouldn't even call it a superhero movie, but a mixture of both western and drama in disguise. It's very rare that a X-men (or any superhero movie), could be the hardest thing I've ever progress in terms of my thoughts and feelings. Included in Valentines & Vitriol are profiles of: Elizabeth Taylor, Audrey Hepburn, Sophia Loren, Lillian Hellman, Bette Davis, William Holden, David Bowie, Robert Redford, and over twenty more."This is what life looks like. It is to the reader’s pleasure to rediscover them. Reed answered simply: “The movie stars of today are no longer interesting.”īut when they were, Rex Reed was there to file them away for history. When asked why he no longer writes celebrity profiles, Mr. Virtually anyone who was anyone during the 1960s, ’70s, and early ’80s in the movie and theater world are captured for the ages in these books. He has also been a master at capturing a story line in the interview situation itself.”Īlong with Wolfe, Truman Capote, Kenneth Tynan, and Harry Crews, Rex Reed achieved a literary reputation for a genre, the celebrity profile, once relegated to gossip journalists who as often as not wrote studio-approved fantasies of the lives of the stars.ĭevault-Graves Digital Editions has reissued Rex Reed’s quartet of best-selling profile anthologies: Do You Sleep In the Nude?, Conversations in the Raw, Valentines & Vitriol, and People Are Crazy Here. Writer Tom Wolfe has said about Reed: “Rex Reed…raised the celebrity interview to a new level through his frankness and his eye for social detail. In Valentines & Vitriol Rex Reed reports on Elizabeth Taylor on the set of the disastrous Russian-American collaboration The Bluebird, captures Roy Scheider and Louise Fletcher just as the public is becoming aware of their talents, a late-in-life meeting with legend Bette Davis, William Holden coming to grips with aging and wanderlust, and a surprisingly revealing look at David Bowie who is a much more sensible person than his image suggested. While still in his twenties Rex Reed became the widely-syndicated film critic for a succession of high-profile magazines and newspapers and from that vantage point began to interview everyone in the film and theater worlds who mattered. For over two decades, the art of the interview was very nearly the sole province of Rex Reed, the Master of the Celebrity Profile.